Alma Tadema's Oil Paintings
	Alma Tadema Museum 8 January 1836 – 25 June 1912. Most renowned painters.
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Here are all the paintings of Gaspare Diziani 01

ID	Painting	Oil Pantings, Sorted from A to Z	Painting Description
98437		Abraham and Three Angels	ca. 1735-1740
98432		Christ in the Garden of Gethsemane	between 1745(1745) and 1750(1750) Medium oil on canvas Dimensions Height: 100 cm (39.4 in). Width: 82 cm (32.3 in).
98436		Finding of Moses	first half of 18th century Medium oil on canvas Dimensions Height: 122 cm (48 in). Width: 152 cm (59.8 in).
98433		The Adoration of the Magi	1718(1718) Medium oil on canvas Dimensions Height: 94 cm (37 in). Width: 110 cm (43.3 in).
98435		The Adoration of the Magi	1705 - 1760 Medium oil on canvas Dimensions 30.5 x 40 cm (12 x 15.7 in)
98434		The Adoration of the Shepherds	circa 1755(1755) Medium oil on canvas Dimensions Height: 117 cm (46.1 in). Width: 131 cm (51.6 in).
98430		The Family of Darius before Alexander the Great	first half of 18th century Medium oil on canvas Dimensions Height: 135 cm (53.1 in). Width: 109 cm (42.9 in).
98438		The Satyr and the Peasant	First half of the 18th Century

Gaspare Diziani

(1689 - 17 August 1767) was an Italian painter of the late-Baroque or Roccoco period, active mainly in the Veneto but also in Dresden and Munich. His earliest training was in his native town of Belluno with Antonio Lazzarini, then moved to Venice, to the studio of Gregorio Lazzarini and later that of Sebastiano Ricci. He was seven years older, but otherwise his career was contemporary with the Lazzarini and Ricci fellow-pupil, Giovanni Battista Tiepolo. Between 1710-1720, he painted a group of eight pictures that included the Mary Magdalene for the church of San Stefano in Belluno, and Entry into Jerusalem for San Teodoro in Venice. He also painted three frescoes on the Life of Saint Helena in the Scuola del Vin next to the church of San Silvestro. Dizianies celerity and technical assurance are evident preparatory oil sketches, with color applied in rapid and spirited strokes. He was also working as a scenery painter for the theater and opera in Venice, Munich (1717), and later in Dresden, working with Alessandro Mauro. Diziani was invited to Rome by Cardinal Ottoboni in 1726, to paint a emagnificent decoration for the church of San Lorenzo in Damaso. The decoration is now known only through an engraving by Claude Vasconi. The Sala dei Pastelli in Ca' Rezzonico has an sotto in su allegorical ceiling fresco presenting Triumph of Poetry (Poetry surrounded by Painting, Architecture, Music and Sculpture).

All the Alma Tadema's Oil Paintings

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